When Manfred Wakolbinger is commissioned with the creation of an installation for a public space, he inevitably includes the peculiarities of this space, explores them, and unfolds a dialogue of form and content. To him, this entails the deep meaning of art in public: Revaluation through a dialogue between architectural cityscape and artistic insertions in order to directly and positively affect a city’s society. In the literal sense, however, it is not always a revaluation, but frequently a recollection.